17th Century Fake Pearls and Strass Paste Gems

In the 1630s large quantities of pearls were used as clothing accessories.  To be truly fashionable pearls needed to be worn in abundance.  In the C17^th, Jaquin of Paris patented a method of making fake pearls.  He coated blown glass hollow balls with varnish mixed with iridescent ground fish scales.  The hollow balls were then filled with wax to strengthen them.  This method made Paris the main producer of fake pearls for over 200 years.

Paste is a compound of glass containing white lead oxide and potash.  Paste jewellery was usual in the 1670s and was worn at court.  The best and most long lasting paste jewellery was produced after 1734 by Georges Strass.  Most fake jewellery was Paris led. Just about any kind of fake gem could be made, including fake opals.  Many pieces of fake jewellery have survived in their original setting, but fine estate pieces of real gems were often broken up for resetting into more fashionable styles of the era. 

After 1760 the production of fake jewellery spread to London and to Birmingham.  Steel which was produced easily during the industrial revolution was used for settings for marcasite and jasper ware cameos.  Glass and Wedgwood porcelain paste cameos were made in English factories and were very popular too.

Ornate shoe buckles of paste, steel and tin were part of fashionable dress.  A similar fad at this time were elaborate paste jewelled buttons, fashionable in British society.  As well as fake jewellery gaining popularity, semi precious jewels such as uncut garnets became usual as part of less formal day dress.